Marina Vishmidt


London-based writer occupied mainly with questions around art, labour and value. She is the author of Speculation as a Mode of Production (Brill, forthcoming) and A -Autonomy (with Kerstin Stakemeier) (Textem and Mute, forthcoming). She also works regularly with Anthony Iles and with Melanie Gilligan. She contributes to journals such as Mute, AfterallTexte zur Kunst, and the South Atlantic Quarterly, as well as co-/edited collections and catalogues, most recently Anguish Language (Archive Books, 2015). She is part of the Theory faculty at the Dutch Art Institute, lectures in the history and criticism of artists' moving image at the University of Brighton, and is a visiting lecturer at the Sandberg Instituut and the Riskin School of Art