Writer and co-director of the research program Document & contemporary art at the European School of Visual Art in France. His writing has focused primarily on the politics of usership, particularly in contexts of collaborative, extradisciplinary practices with variable coefficients of art. His current research examines practices of artistic permaculture, where art escapes its ontological specificity and the artificial life-support systems of the autonomous artworld, seeking instead forms of compatibility with other modes of activity and art-sustaining environments. He lives and works on a permaculture farm in Corrèze, France.