(Mexico City, 1976) He is a curator, art critic and collaborator of educational programs on contemporary art. He studied at Centro de la Imagen (Ministry of Culture), Teratoma, A.C., and Fundación JUMEX. He studied theoretical and historical photography at the Centro de la Imagen and the National School of Anthropology and History (INAH). Since 2005, he has curated exhibitions of Mexican contemporary art for institutions such as Manuel Álvarez Bravo Photographic Center (Oaxaca), City Museum and Libertad Gallery (Querétaro), Casa del Lago and Chopo University Museum (UNAM), Clavijero Michoacán Cultural Center, Tijuana Cultural Center, House of the 1st Printing Press of America (UAM), Ex Teresa Arte Actual, the José María Velasco Gallery and the ENPEG "La Esmeralda", among others. In 2016 he was a member of the jury and one of the curators of the XVII Biennial of Photography convened by the Centro de la Imagen (Ministry of Culture). He is co-author of the book Alberto Flores Varela. Esplendor del retrato en estudio (CONARTE, 2014). His recent critical texts have been included in the books: Ludens. Obra 2005 - 2019 (Textofilia, 2019), The Void. Wolfgang H. Scholz. Photography, Film, Performance & Installation (Turner, 2019) and La huella irracional (FONCA, 2019). He has been part of different formative programs: from 2012 to 2019, he was part of the body of collaborators of the international SOMA Summer program and, from 2011 to 2018, he was workshop facilitator of the Contemporary Photography Program. Since 1999, he has collaborated in specialized magazines and publications, critical essays in exhibition catalogs, reports of photography festivals and various academic meetings. usuariobsolescente.com